Session 10.2: South / South-East Asian Romance Communities
Author Mina V. Esguerra has single-handedly defined the English-language romance genre in the Philippines through the #romanceclass initiative, which has helped over 100 Filipino authors publish over 200 new titles. This interview will explore the evolution of #romanceclass and its role in nurturing new writing talent, commissioning works to fill gaps in cultural reach, broadening the audience for Filipino-authored romance, and gathering data sets about the romance community.
Presentation (in conversation):
#romanceclass was started by Mina for readers and writers in the Philippines
Contemporary romance for English Filipino authors
- Filipino characters
- Female authors
- Middle / upper class
- Sweet
- Steamy
- Kilig
- M/f
- Manila based
Community of authors in english, readers of books, and actors who are part of promotion process
Books set in Philippines. A country with:
- No legal divorce
- No sex education in school
- Rising HIV
- English is an official language but is considered privileged
- Setting in Manila is a sign of privilege
Chic lit line started in Manila in 2009
2013 – started romance class on FB
- World wide
- Writing and printing novellas
- Added extra rules on top of regular romance ones for Philo context
- Inspiration from popular movies and tv series
- Agency, and HEA / HFN
Many were unable to finish a books because they were unable to work out what happened when character had agency
Now: 170 books finished by 80 authors
Classes have time limits. eg 3 months etc
Challenges work to gaps in market
Eg
- Sex scenes
- M/f or different parings
Don’t have to join that class if they don’t want to follow the rule for that class
Depression, body image (plus size character) age differences, non binary characters
If you let Mina know there is a gap in the market, she will create a challenge for the romance class authors
- Novella length for page count/ price point
- So students can afford them
- Non m/f are shorter (short story word count) and in an anthology
- Live readings – with actors in roles – 5-10 minutes (a chapter)
- Started out as an insecurity for writing in english – to find out if the words sound right
- Worked with actors, now people watch clips to see if they want to read the books
- Writers are now writing with more dialogue for the actors to perform
- Reciprocal recommendations of diverse writers internationally